Pinnacles and Kaleidoscopes

I have not much wisdom to share today. There has been much living going on at our house, but as this day, Susanna’s fourth anniversary on the other side, has approached, I have not many  words. I am preparing to begin the real work which I hope will lead to a memoir. I look forward to this work, and have known all along that I want nothing less than a book, the best book I can write. For me and for Susanna. Being that I am not feeling very bloggish, I dug this up from the summer of 2014.

Susanna today I am wishing so much love for you. Love much bigger than a million suns. I care very little about most things. I am somewhat afraid to tell anyone this, because they might worry about me. There was the dream I had where you described heaven as “pinnacles”. Are you dancing and bouncing over golden rainbow mountains? I was at Coney Island with your brother, by the red spinning cars which weave and dip around a tent-like center. Around, around, I watch for him and watch the waves of light and color and sound and feel the workings of the universe. I believe there are co-existing worlds of waves and color. I believe that matter is energy moving at a slower vibration, soul incorporated in bodies. Just like I believe solid matter is full of molecules in particular motion, as I learned in elementary school science class. Why, dear Susanna, do I have to be here to talk and worry about so many things which now seem petty and will not mean anything in eternity? I cannot. Perhaps people may miss the actions and words of the me who lived in a finite human world. However, there will be no going back because in that limited time/space you are not there and that is not only unacceptable but pure rubbish.

When I dreamt that dream, Susanna gave me two words. One was pinnacles and one was kaleidoscope. I could not articulate that I remembered kaleidoscope until much later, it did not seem like the right word. I also remembered that when I asked her what heaven was like, she said, “wonderful”. I picture Susanna (as I try to avoid dwelling on memories of ambulances and cemeteries) running through snowy mountains, just like Elsa, belting out “Let it Go”. Mountains, pinnacles and rainbow fractals. Science provides sacred knowledge and evidence for many things, but has only scratched the surface of what is on the other side. No one knows definitively but we will all know more someday. Save me a spot, Susanna. I love you.

Rain, and Surprises

I feel surprised lately. Surprised about how I feel about things, and about how I have changed my mind about things. Somewhere within the vast trail of self-help books in my past, there was discussion of how “changing your mind” is more literal and important than how it sounds. We all come here to change and heal and grow, and I believe this even on days which I do not. Brain and soul and body, we are all beings in search of healing, and healing happens.

I did not realize until a couple of weeks ago that there were so many videos and recordings of rain sounds available on all my devices. There is soft rain, heavy rain, rain on the ocean, rain while trains are approaching. Rain in the city with an open window. There is rain on a tent or rain on a car, which has always been my favorite. What surprises me is how real my responses and feelings are when I hear the sounds. They cannot be expressed in words. This is true for both the real experience and the electronic version. The only difference between the two is that with one I do not have to wait for a rainy day.

Perhaps I have arrived somewhere now where I can tolerate being here, on this earth. Perhaps I am becoming unfrozen during this cold January as the light begins to come back. I do not think there is much pain to be unfrozen because pain has enveloped me, followed me and defined most of my moments for the past few years. There are tears falling inside and outside along with all the droplets and drizzles which I stream, but there always are and the difference is that I can hear music in them. I can feel a cool and swirly breeze. If I dare say, the tears are coming with some peace and joy. Despite everything, this earth experience brings me joy. This will always surprise me, but this is real.

I think I am on the cusp of something. I feel cuspy. I do not know where I will go. I do know that I intend to reach out and take more things which I like, and which make me feel good, because I will need this to offset the sadness which I will never erase. A mediocre life will not be tolerable if I must live it without Susanna. I want a bigger life with more spaces to find her, like the spaces between raindrops when they ripple in a pond, or the spaces between the curves of waves on a stormy ocean. I intend to find her. I do not want to pass time in a bubble of numbness. Our dead, and our guiding angels and forces, speak to us always, but we can hear them better when we get out of drudgery and oppressive nonsense.

I will even say that for the time being I am obsessed with my rain sounds. I plug my ear buds in and play them at any old time. I look forward to hearing them when I go to sleep at night. They will stream on YouTube with lovely imagery for ten hours or until someone turns them off. This habit is supported by my family. My S.O. and son seem to understand. I have always said that love is mysterious. I used to mean romantic love but love between any people is mysterious and much bigger than we know.

My son is a wonderful, kind soul (this is not a surprise to me, because he always has been). Recently I have said this to him, because I see him trying to save me and protect me when I am sad: “You do not have to worry about me. I will be okay. It is not your job to save me. There are plenty of adults to help me, you just need to be a kid. I will be okay.” I mean these words.  I have never wanted anything more than to change his life to one that does not include the loss of his sister. I know it is wrong for a child to feel responsible for my pain, and I will continue to say this to him and mean it.

And as I have said these words, he has interjected and repeated over and over, “No. No.” He will not agree that protecting me is not his job. I can neither change his loss or control his desire to save me. This I cannot change. This is mysterious. This is his way to love.

This is my daughter on a rainy day. I continue to be her mother. I think about her as often as any mother thinks about her child, nearly constantly. She is on the other side and I am here, and there is more to life than life.

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Wendy

My son has a red lump on his left arm. It rose a bit at the site of a flu vaccine he received yesterday, when we visited the pediatrician for a benign ailment which has now disappeared. We waited for the doctor and I read the poster with charts: “Quantifying Morbidity and Mortality for Influenza”. (I know too much about morbidity and mortality, so I said yes when the vaccine was offered). A short time after, as we left, he sneezed. I asked if he was reacting to the vaccine (he was not), and, forgive me, my mind raced to the possibility of him having a rare deadly reaction and dying right there on the tiled floor. I imagine frequently that those I love will suddenly die. I see this partly as a feature of PTSD, and partly as direct knowledge which some people can avoid. This was a milder episode of panic than I sometimes experience, especially since I was already in the presence and consult of a doctor. This is a doctor who has been to the edge of hell together with me, so she understood.

When I was growing up, I always had knowledge of my first cousin, Wendy, who died long before I was born. This happened before the discovery of a vaccine for measles. She had the measles, with complications, and she died. She was five, just like Susanna.

Shortly after Susanna died, I sent a Facebook friend request to Wendy’s sister, who I had met once and knew little about, other than the appearance of her smiling young face in a couple of family photos. She accepted, herself ill and near the end of her life, and expressed her sorrow to learn that “once again tragedy had been experienced by the Freer family” in this way. Death itself is not a tragedy. We all die. The death of a child is a tragedy because of the unending pain it causes. I do not know that Susanna, in her location on the other side, laments not having lived longer. I tend to doubt that. I never will live a day without considering her absence a tragedy. My life is not a tragedy overall, but there will never be a resolution which does not include a missing piece, one which has left a hole with a painful jagged edge.

Many people think of Susanna, and feel heart- broken knowing what happened to us. Her death rippled and reached many, even those who did not know her. My family and friends grieve for her still, in their own ways. There will be times that they think about her, and times that they wish things had happened differently. For me, time moves on, but Susanna’s death is always there. It will greet me every morning, and color every event. In some ways, it will make me love a bit deeper and even seize moments I may have missed. It will make me less likely to attach importance to things which are not important. It will not remove me from life or the truth, it will make me reflect them more honestly.

This is something I wrote a few years ago.

When I go to heaven, I hope I can do the following things:

  • Make a box of macaroni and cheese for Susanna and watch her eat the whole thing. We will have come home before her father and brother from the playground (Susanna will not be crying like she used to if she had fallen or become tired, and I will not feel confused and bored, nor will I be missing her in despair like now. This is heaven, after all). We will watch an episode of “Peppa Pig” with that song in those beautiful English accents. “Peace and harmony, around the world…….”
  • Open a cassette from one of those long plastic boxes from Caldor, put it into a boom box and play it over and over again because the whole thing, every note, is perfect and all I can think of is “Again!” It may be Bruce Springsteen, or New Order. It doesn’t really matter.
  • Have many massages with hot towels and aromatherapy. Or the equivalent of that for someone without a body.
  • Talk to all of my students who cannot speak now. I want them to have the opportunity to comment on whatever we did in class, at least once.
  • Talk to my uncle and aunt who I never met, and tell them I am so sorry they lost their five- year-old daughter to the measles because I know how they felt (though they are dead, and I am hoping the dead have healed from losses. I want to do it anyway). Then jump over to thank whoever invented the measles vaccine.
  • Perhaps float in clouds made of vanilla ice cream, like I used to imagine when I was Susanna’s age. I digress.

 

 

 

 

 

Ordinary People

Johann Pachelbel’s Canon in D. I first heard it in 1980, after it was mentioned in my freshman English class by the name by which I will always know it, “the theme from Ordinary People”. Ordinary People is still one of my favorite films. The story of a family who must come to terms with the trauma of a child dying, and begin to heal so that they can save each other from despair. I did not know, in 1980, that this situation would become ordinary for me, too.

On this Saturday before Thanksgiving, there is a lovely rain hitting my windows. I became lost tonight in that music of rain as well as some classical pieces, including Canon in D. In a surprising turn of events, I have resumed a hobby of playing the flute, after putting it down in ninth grade. I forsook band to take an art class (I would say that was an auspicious choice).

This all came about because my son had decided to learn the clarinet for his school band. Next thing I knew, I had ordered a flute from Amazon and begun searching up songs every day. I sit with my laptop in front of me and plug away, mostly at the first pages of things, which are free. Today I found Stairway to Heaven. Rock music melodies, without the vocal expression, amplifiers and fashion, are not as exciting as Bach or Mozart for a novice flutist. The notes miraculously reached my eyes and brain when I started again, and my fingers jumped into position as if 37 years had not flown by. I refer to a chart sometimes, but I have unmistakably kept some skills for all these years, beneath the surface.

This fall, with the short sunlight and long sadnesses, has been taking a toll on me. There seem to be few answers to my “why” questions. Why do people shoot up churches and elementary schools, and commit cruel and disgusting acts against others? Why has mankind chosen greed and nearly killed the planet? Why does my life feel like pointless drudgery, living to pay bills and crank out meaningless chores? Why do I have to do this, navigate this world with this horrendous, excruciating pain left inside of me in place of my precious daughter?

I need this opportunity to escape and peck away at the tiny notes. I need to be a part of something old and big and beautiful, accessible by a code developed long ago. Above all, I need to say things which words cannot. I need to breath my tears and turn them into songs. I did not plan the twists and turns leading me in this strange and complicated life, but here I am. I must do something, so why not do something that can make me feel good, and maybe someone else too? “I knew, if I had my chance, that I could make these people dance, and maybe, they’d be happy, for a while……”

Susanna was here, such an example of life well-lived. When she was a toddler, she would wake up early, singing, unable to sleep because she needed to sing so much. If you are lucky enough to have a child in your life, you have the world in front of you. You have the magic of cathedrals and mountains and oceans and cities, beautiful cities lit up like New York when you are on the subway rising beside the Brooklyn Bridge after dark. You yourself used to be a child, and you are the same magic as the sound of rain, and the glistening spectrum of each drop on a smooth surface. It does not matter what is happening or how you feel, still you live.

I don’t know why, why the terrible things. But I know why I must survive. Because life. Because the world. Nothing helps, nothing erases this loss I am faced with always, but living is worth it because it is still a beautiful world even on the worst days, the ones where all seems flat or even horrendous.  And there is so much more to come.

Crescendo

“And then I felt sad because I realized that once people are broken in certain ways, they can’t ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one. You wonder when your turn is going to be, or if it’s already happened.”
― Douglas CouplandLife After God

 

Fall is coming tomorrow. Agricultural time is even more suited to me as I get older, nothing inside of me obeys a linear system. I must stop and think a bit to remember the season, to try to grasp where I am. I am reveling in the two days off for Rosh Hashanah, though I am not Jewish. I am sorely in need of some time off, and reflection, and I always need a new year.

Autumnal Equinox, for pagans, is the balance of day and night and the point of certainty that death is happening. When I am teaching my art class, this is the season we stream Vivaldi’s Four Seasons. I skip ahead to the Autumn passage. The floating leaves represented in notes make the most sense to me. Time to turn on the music and let go as I stare at the complex sea of situations that is my job, newly scheduled and followed to the minute in linear time.

In the bigger picture, the crossover line at death is an illusion. I do not say this to try to be clever but because I know it is true. We arrive here with a mission, and make choices as to how we complete it. I have no time for or interest in activities which involve denying or ignoring this. We all come from the same place, and no one here escapes the cycle of birth/death /rebirth. No one wins. It is not a race.

PTSD (the way I understand it, I am not a doctor) is kind of a state of having trauma frozen in your body and mind. I might be carrying on with my day as I need to, but little pieces of memory float to my consciousness and make me fearful and anxious. It has been a big relief to see it this way, very unsticking. I believe I have healed some. Looking at frozen fear is the best way to turn it away.

In my nonlinear fashion, this is something that happened to me three years and five months ago.  I am in the hospital room at Maimonides in Brooklyn. Susanna’s body is still breathing, but attached to tubes and machines. This is before the attempted brain scan which would not be completed. This is after the conversation with the brain surgeon who has told me there is nothing he can do. He has hesitated and floundered over those words, a part of his job no one would envy, and my jaw as well as my heart and soul have dropped through the floor. Somehow, I have sat in this room and decided that I will move my body and walk across the street to buy coffee. I have said this to my Significant Other, but he has not heard me. He is millions of miles away from me, and I believe he will always, from this day forward, hate me because of what I have done. I have not saved Susanna, and I have remained alive. I must be a horrible person, as I have always suspected. As I walk through the lobby and into the street, and back again, I am sure everyone is looking at me and knows my daughter has been sentenced to die. I have been forever changed by this day. This will always be true.

An hour or two later, I have been consoled by a nurse in front of the room where the brain scan is to take place. She has given me cold cranberry juice. I have also been consoled by a couple from Bangladesh in traditional dress. They have told me their son, who is nineteen, is in a similar situation, and they have prayed for me. These are memories of love from strangers which have sustained me, in retrospect.

Soon after, I have said good bye to Susanna. I have held her hand and said this: “If you can come back, I will be waiting, but if you need to go I will understand. I will always be with you, and I will never forget even a minute of the time we have been together”. A man working has overheard me, and has softly mumbled “Oh, God!” and is crying.

In the time since, I have realized that if you witness someone cross over, this is a part of your mission. This is intimate, and important. If someone tells you about being present for death, this is sacred as well. These are the thresholds, the places where we can feel our true home.

My daughter was here, and when I was sitting in the hallway, having been given the cold cranberry juice and the prayers, I watched across glass as people who had come running tried to start her heart again. They tried for a long time, but she had to go. She died. This did not happen because I am a bad person. It just happened. I could not save her, any more than the sad brain surgeon, and I survived.

Fall again, and Susanna’s brother has just called from downstairs to inform me that he has lost a tooth, a molar. He is four feet and nine inches or so and will be joining his school band. We are here and Susanna is there, for now. We will see the leaves turn, because that happens on this part of earth. We will listen to them fall, crescendo, and be gone until next time.

Home

This morning I watched a video on TED Talks. Pico Iyer is an author who writes about travel, in a contemplative way. In the talk he discusses how people of multiple nations and cultures define “home”.  I am someone living a state border away from where all my relatives and I were born. I am not a traveler or a well-travelled person, but this spoke to me. There is indeed a difference between the structure and soil I occupy and what my soul calls home.

I have been considering my relationship with my own physical house lately. As usual, I have been using some of my summer break to dig through clutter and eradicate dust bunnies. I have noticed, within myself, some missing boundaries, some nondescript holes in how I occupy my life here. There are layers to uncover, sections and coats of many colors.

My first memories of being in this house are of a day when my Significant Other, my son and I spent a few hours patching some holes, the first in a series of repairs leading to a complete restoration. S.O. brought wood and spackle. I, grateful that my toddler had fallen asleep on a blanket and pillows, and about halfway pregnant with Susanna, started cleaning some closets and floors. I could describe page upon page what was damaged here. We focused instead on what was possible, and what S.O. (an exceptionally talented individual) knew he could create. I was more of a witness to what I knew could unfold, and it did.

There are no perceptible holes here now. There are clean walls and restored floors, all systems functional. The house occupies the same shape and shell, but is made of our own history. There are stories to tell. There is the shocking memory of when the ocean swelled into the house during Superstorm Sandy, and the aftermath of cleaning wet mud as FEMA dropped off boxes of self-heating lasagna. Heartbreaking, to know that today as I write this people in Texas are experiencing a storm and flood entering their homes. Sometimes, we learn how what we think we have made solid is fragile, like we are.

These memories are the easier ones, because they are followed by memories of two smiling kids running around. I have photos of them playing on the underfloor S. O. exposed on his own after the storm, just before he repaired beams and installed a rich, dark wood in time for Christmas. We had reached even further into the underbelly of the house. Their smiles were wide enough to span to South America, love emanating through the pixels.

This big world, with its beautiful people of all kinds, is a scene of incomprehensible healing. I will never stop believing that we all have a purpose here, despite what we live through. I have not healed from the memory of Susanna in the living room, on that worst night of my life, when I saw that she was not going to wake up. Much healing has occurred, as I live each day and do my best, but the universal forces which can heal those memories, still stuck in places inside of the walls of the house as well as the walls I have around myself, will have to come from beyond the scope of this earthly home.

My family, as I describe it, lives in multiple nations and dimensions. I do not think in terms of walls and borders. S.O. carries with him the memories of a distant place. I carry within myself many homes, not as far away on the map but gone over time. My son will remember being here as a brother to Susanna. He always will be, though no one can see them together. Susanna still lives with us, though she does not occupy physical space.  Someday, as I have learned so deeply through my daughter and her destiny, there will be another home on the other side. I cannot picture it, but I know who will be there.

TED Talks

 

Strega Nona and the Golden Ball

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Strega Nona is an alter-ego of mine. She was a “strega”, an herbalist and a witch. A crone, nestled in  rich old Italian locale and culture, using her wisdom to help others through magic (which is my biggest aspiration right now). Being that Tomie dePaolo’s original story was published in 1975, it is possible that I read it or heard it as a child. This I do not remember. I do remember that Susanna was no longer here when my son and I began to read all the Strega Nona story books we could acquire, every night, over and over. There was the story of Strega Nona taking a vacation, which plays in my mind during the summer. Strega Nona, alone, enjoying her beach house, collecting and steaming fresh mussels. Another describes an inexhaustible harvest which Strega Nona and Big Anthony, another amazing character, shared with their community. Our favorite by far was Strega Nona’s Gift, her holiday extravaganza of magical foods and gatherings. I believe we read it every night for months, a book which can almost be eaten.

Some things I have collected from the Strega Nona stories which I particularly love:

  1. Gardens should be planted by moonlight, and carefully organized in rows (if I ever own a property with soil I should know this).
  2. Strega Nona accepts as her assistant Strega a girl named Bambolina, thus rescuing Bambolina from a life of running a bakery single-handedly for an ungrateful, selfish father who tried to hang out in cafes all day. No dice for him.
  3. Strega Nona takes a vacation after being told to do so by her grandmother and mentor, who has died and come to her in dreams. And it was a good idea.
  4. Salt water taffy. Pretty much tastes like candy, but delicious because it comes as a gift from someone visiting the sea.
  5. Not only can Strega Nona feed her whole town on holidays, she can provide everyone with delicious dreams of colossal food which keep them sated for hours after waking up.
  6. Carrots for her rabbit, corn cakes for her dove, turnips stuffed with greens and beans for her goat. This is to make them speak well of her on the Eve of the Epiphany, the one night  they can speak, but anyway, yum!

On my still intact shelves of children’s books (I have attempted to give them away, but am not ready to complete that task) is Tomie dePaolo’s retelling of an old Italian folk tale called The Clown of God, which revolves around, of all things, a golden ball. It tells of a poor boy who becomes a master juggler. In his act, he gradually adds colored balls and culminates with a golden ball representing “the Sun in the Heavens”. The juggler’s life brings him back to poverty and depletion, ultimately making his last act a miracle involving a statue of the Christ child. This book still waits on the shelf for me. I do not completely grasp the connection of this story to the story of Susanna and me, and our Golden Ball, but I know there is one, just as I know there is a sun in the heavens.

This post brought me through Strega Nona and the Golden Ball because of another of Tomie dePaolo’s books called The Art Lesson. This one is autobiographical, the story of young Tommy’s compulsion to draw and reach the age of the mythical art class in his school. Adult Tomie draws the art teacher, Mrs. Bower, with upswept hair, dangling earrings and a smock-like dress, carting supplies to art class and presenting her subject matter, obviously having been to art school herself. She is pretty much me, perhaps a bit younger, even with the same shoes.

The Art Lesson brings me to what I wanted to reference and what I wanted to say. Before young Tommy has finally become old enough to be in Mrs. Bower’s class, he has suffered some feeble attempts by his teachers to pull off a proper art lesson. They have some issues with the materials, such as flaky powder paints. One teacher, with blue-washed hair, has instructed the children to not wear down the points on the designated “school crayons”. How do you function this way, with no signs of use? What is this strange vestige of perfection, the school crayons which retain their points forever? We all had teachers who said such things.

Preservation of anything is futile. We all wear out and break. I know this every day and I live and breathe and function, while my heart remains broken. Perhaps there was an innocence destroyed when I lost my daughter, but if we live long enough we all get there. There is still the same range of emotions, things to love in this world abound, but it is not forever. You must find a way to make peace with that. Avoiding the reality of death by focusing on achievements and perfection. Futile. Trying to feel only the emotions you want to feel, futile.

A picture of Susanna sits on that bookshelf, with the children’s books I cannot yet part with, beside my bed. This picture was a Christmas gift from two friends. One put it into a beautiful frame studded with gems. The other snapped the background photo, Susanna’s name drawn in the sand, by me, to be gently washed away. We were both on the beach when I wrote it, and she saved the moment, then pasted in a photo of my baby’s beautiful face. Two nights ago, that picture fell to the floor as my significant other was coming to bed. It was undamaged, and it was not explainable in any natural way. I wonder if Susanna, or someone, has encouraged me to shape this blog. I do not pretend to understand any happenings on the other side, I can speculate but I will know more when my time comes. I just know there is another side. More to life than life. And there is magic for those who see it.